Browsing: Zhengfan Yang

Film Festival OC700094_P6805_174774
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As the dawning day gradually arrives over the horizon, so too does Distant make its slow introduction, its early morning opening shot unhurriedly exposing a lonely lighthouse flashing its beam across the quiet sea. At its foot, a human silhouette becomes discernible to the eye, standing alone and staring out in synch with the structure beside. The quiet is contagious in its calm, a soothing silence that ropes the viewer into this world as it meticulously exposes more and more. The arrival of the title card comes, finally, after almost ten minutes; it’s easy, by then, to be surprised by its arrival: such is the lyrical suction of the movie’s allure that it’s difficult not to become intoxicated with its snail-crawl rhythm. Here is a movie that makes Nuri Bilge Ceylan’s 2002 effort of the same name seem a fast-paced thrill ride by contrast.