This being my first interview on my own (my last one being Matt Johnson’s The The at the Sheraton Hotel in a room with a dozen other college radio reporters where I got one question in), I had no preconceptions on how it would go. I met the band at the shiny Cambridge Suites in d... Read More »
Ashley: Working on a small indie horror film with a huge star like Elijah Wood must make it a surreal experience. How was your experience on set? Read More »
Politcally-speaking, the most important Chinese film of the next year or so is probably going to be Jia Zhangke’s A Touch of Sin. The edgy Cannes award-winner has a planned Chinese release date sometime in the fall – but it has been plagued by rumours of censorship and a recut ve... Read More »
Perhaps the largest show the young TIFF Bell Lightbox in Toronto has undertaken, the Century of Chinese Cinema (CCC) is a film programmer’s wet dream. Artistic director Noah Cowan (kind of an interviewer’s wet dream: indulgent with time and tangential questions) appears to have a... Read More »
If you followed my coverage of the deadCenter Film Festival, you know that one of my favorite short films was Paul Avellino’s Un Regalo (A Gift), a gory shock comedy with real chops and dry wit. Mr. Avellino happened to be at the showing, so I had a chance to talk to him for a f... Read More »
I arrived at the Lightbox just in time to get my 8 ½ cocktail at the Luma Lounge. It’s the yummiest. The service there is very courteous and I’m always delighted when they recognize me. Either I’m a lush or a cinephile or both, none of which matter at this point since I was ther... Read More »
Last week, I was privileged to get a chance to ask Morgan White, director of the upcoming documentary The Rep. The Rep is a film about the first year in the life of the Toronto Underground Theater, a repertory theater (or classic movie house if you prefer) in the first year of i... Read More »
Uli Gaulke, the director of As Time Goes By in Shanghai, tells stories through images and mood, making jazz music a nice fit for the former film projectionist who grew up in East Germany. “I wanted to bring this kind of storytelling with images in a documentary format… You can te... Read More »
If Ai Weiwei: Never Sorry, last year’s Hot Docs opener, was the fist-pounding celebration of artistic defiance in China, then Chimeras is the prevaricating party-pooper. And I mean that in a good way. Mika Mattila has the courage and the skill to bring us stories of contradictory... Read More »
Inigo Westmeier is a filmmaker’s documentarian, not= a journalist with a shakey-cam, but a cameraman, a cinematographer, someone who understands the medium first and his subjects second. I talked to him about his feature debut, an exquisite portrait of young girls training in mar... Read More »
“It’s just very complicated,” say Teresa MacInnes and Kent Nason, multiple times, over the course of our interview on their new documentary on sex work in Canada and abroad. The married couple and filmmaking partnership are premiering Buying Sex on 1 May at Hot Docs. Read More »
With her debut feature currently enjoying sold-out screenings at Toronto's Carlton Cinema, I took the opportunity to talk to writer/director Sara St. Onge about Molly Maxwell, the challenges of a low budget and tight schedule, the influence of experience on the potentially contro... Read More »
