Author Ronan Doyle

Ronan Doyle is an Irish undergraduate film student and freelance critic, whose work has appeared on Indiewire, FilmLinc, Film Ireland, FRED Film Radio, and otherwhere. When not watching movies, reading about movies, writing about movies, or thinking about movies, he can be found talking about movies on Twitter. He is fuelled by tea and has heard of sleep, but finds the idea frightfully silly.

Film Festival viktoria_1-1
4.0
1

“10 years before the collapse of communism” proclaims the opening title card of Viktoria, and by the time we reach the closing credits we seem to have lived it. Bulgarian filmmaker Maya Vitkova’s debut feature is a writer-director-producer picture if ever there was one, an over-extended mess of a movie that could stand to have its luvvies cut to ribbons. Like the…

Film Festival quod_erat_demonstrandum_a_l
6.8
1

The great Polish helmer Krzysztof Zanussi’s films of the ‘60s and ‘70s cast a shadow over Quod Erat Demonstrandum, a film whose black and white agéd aesthetic contributes a sense of antiquity that might have made it a contemporary of movies like Camouflage and The Illumination. It is, like those films, a socio-political tract set against the background of academia, abstract…

Film Festival ioch_1-1
7.0
2

I’m an Old Communist Hag is a populist delight that played like gangbusters to the local audience at TIFF Romania back in June. But the movie’s crowd-pleasing capacity oughtn’t to be mistaken for an indication of levity, and if it’s the quick-fire laughs that give it its fun, it’s the deeper issues they give way to that make it a film that lingers. As the adult daughter returned from…

Film Festival candlestick_2
6.5
274

So says George Orwell in his 1946 essay “Decline of the English Murder”, a text invoked by IndieCork programmer Mick Hannigan as he introduced Christopher Presswell’s Candlestick, a film very much intent on constituting a resurrection. Not so much…

Film Festival indiecork_1_2
1

It seems apt to introduce a festival which predicates itself on an independent vision with a movie like Europe in 8 Bits, Javier Polo’s enjoyably energetic documentary on the emergence of “chip music”, an eccentric electronic style born of the 8-bit sound systems of…

Film Festival STRANGE-COLOURS-MIDLINE
8.7
8

The Strange Colour of Your Body’s Tears could be a trainwreck of a film and still maintain pride of place in the giallo canon solely for that stupendous title. Right on par with, perhaps even above, the likes of The Bird with the Crystal Plumage, this is a name that grabs the attention and pins it to the wall like a burly bar patron whose drink’s

Abu Dhabi Film Festival 2013 lifeofcrime
5.0
1

When, halfway through the opening night screening of Life of Crime at the Abu Dhabi Film Festival, a good portion of the audience led by Sheikh Khalifa bin Zayed Al Nahyan himself walked out in reaction to a bare-breasted sex scene, they might just as easily have departed in protest of the film itself. Daniel Schechter’s adaptation of the late Elmore Leonard’s …

Reviews calvary_2014_1
7.5
7

Genre has never lent itself terribly well to Irish cinema: the folklore is too fairy-filled for horror; the war never hit hard enough for noir; the absence of guns makes almost absurd the idea of action. To have made of Calvary a full-fledged western, then, is quite …

Reviews oh_boy_2013_1
8.0
3

As if itself inviting the assured Allen comparisons that equally abounded in considerations of its close cousin Frances Ha, A Coffee in Berlin concludes with a montage of city sights that’s straight out of Manhattan. But it’s not only to acknowledge…

Reviews anna_2014_1
3.4
0

When the memory-detective protagonist of Anna informs his eponymous charge, the sixteen year-old daughter of a wealthy family who’s suddenly refused to eat, that the movie’s chief technological conceit “doesn’t work like that”, it’s telling that he never offers an…

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