Author Ronan Doyle

Ronan Doyle is an Irish undergraduate film student and freelance critic, whose work has appeared on Indiewire, FilmLinc, Film Ireland, FRED Film Radio, and otherwhere. When not watching movies, reading about movies, writing about movies, or thinking about movies, he can be found talking about movies on Twitter. He is fuelled by tea and has heard of sleep, but finds the idea frightfully silly.

Reviews ejecta_2014_1

No movie that includes an accreditation for “taxidermy wrangler” has the right to be anything near as interminably unexciting as is Ejecta, whose implementation of that original credit is the sole shred of intrigue it manages to awaken. This—that resume-topping title…

Reviews waves_2015_1

A friend once asked whether that which wins Best Picture ought not also, by default, take Best Director, and—forgiving the technical ignorance—it’s not a difficult assumption to appreciate. That the idea of the respective Oscar statuettes being awarded to different films…

Reviews the_backward_class_2014_1

For all the gasps that may fill the cinema as Mala, one of the more prominently featured members of the eponymous group in The Backward Class, describes a vague recollection of an argument between her parents that left her mother ablaze, it’s the quiet moments of…

Reviews predestination1

“Luck is the residue of design,” proffers Predestination enigmatically in one of the many lines of dialogue that betray this as a movie with neither to its credit. Playing out like a slapdash Frankenstein’s monster of hokey time travel twists and sci-fi set design, this…

Film Festival boven1

It’s not solely for stylistic reasons that It’s All So Quiet tips its hat toward the western work of John Ford in one striking shot of its middle-aged farmer protagonist emerging from his barn, framed in silhouette in the vast doorway. The agrarian narrative of this new…

Film Festival metabolism1

“When filming, you put what interests you in the centre, not on the margin.” So says a doctor surveying the endoscopy DVD of a deathly serious director whose alleged illness is nought more than one part of a ploy to rehearse in-depth and out of clothes with an attractive actress…

Film Festival viktoria_1-1

“10 years before the collapse of communism” proclaims the opening title card of Viktoria, and by the time we reach the closing credits we seem to have lived it. Bulgarian filmmaker Maya Vitkova’s debut feature is a writer-director-producer picture if ever there was one, an over-extended mess of a movie that could stand to have its luvvies cut to ribbons. Like the…

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