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A Midsummer’s Fantasia: Trust in Characters and Their Stories (LAFF 2015)
Jang Kun-jae’s films are characterised by conversations, chance, and encounter, delivered effortlessly by a minimal cast; and a preoccupation with the world that builds between two people, often between a man and a woman. A Midsummer’s Fantasia treads upon the above-mentioned issues in Jang’s subtle and quiet manner, but also surprises in the way he weaves them within an anthropological context of a small city community and the dual linguistic identity …